365 Project

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12-31-16

December 31, 2016 by James Leave a Comment

Day 366 / 731 –

Thus ends the 365, on day 366.  Perfect.

This is the same place as the first post of the year, only taken now. Snow covered landscape rather than barren desert.  It doesn’t have quite the scale and depth of the previous one, but that’s how it goes.  It’s just a little different.

So, what now?  Two years of posting here daily, and it’s time to move on, to put this aspect of my photography down.  It’s been fun, and a learning experience, which is what it was intended to be in the first place.  I needed to learn more about photography, and shooting daily was quite the education.  I learned about what worked and what didn’t work, and what worked and didn’t work for me.

But now, I want to do something different.  A single image is one art form, and one I’ve been practicing in for this project.  But my work in year two tended towards the series, several images posted over days in succession, or groups of shots from the same outing.  Some of that was by necessity, some by convenience, and some because I wanted to do something more whole.  Something that worked well together.

I can go out into the fields day after day and bring back images, and take photos I love.  I’ve been doing that, and I’m sure I will continue.  Rather than doing one long disconnected project, I want to do a few smaller, more concentrated projects.  I want to do things that fit together into a smaller single piece, rather than a year-long block.   Think of it as a piece of poetry as opposed to a long and winding ramble or rant.

This will be another learning experience, and I’m sure I won’t hit the nail on the head that often, but then again, I didn’t alway hit the mark on 365 either.  I didn’t always publish work I was overly proud of, but it was work I made, and a good representation of where I was at, physically as well as creatively.

There will be a new project site, something that I can put up longer form pieces on.  This site will be “mothballed,” but still around for viewing.  I sorely need to update the favorites selection.  It’s been ignored for too long, and I have many I want to add to it.  And I need to update my portfolio site as well.

I’ve also thought about starting a Patreon account, so I can put up some pieces exclusive to people who want to contribute financially to this stuff.  I’m not sure what shape that would take, but I’m thinking about it.  Perhaps shorter parts put out for free, and longer versions with more photos on Patreon.  I’m also thinking about other ways to make something for people who want more access or physical copies or something more than a photo or two on a website.  There is something about putting a photo in the real world that is completely different.  I want to do that more.

Also, finally, the long-awaited print sale.  I don’t know exactly what has kept me from doing it, but selections of 365 over the two years will be available soon as prints.  I found a print shop I like, which was the most difficult part.  Next up is final proofs (what you see on the screen vs what is printed can be quite different), a system for ordering, and then finally pulling the trigger.

To anyone who came by, who was a supporter, who was encouraging, who commented, who liked, who threw a few dollars my way to help with expenses, who encouraged, and even liked something I posted more than I did, a huge thanks to you.  It has been a lot of fun doing this, and at times, it was difficult to see though.  I think I’m going to miss this project.  It helped me grow as a photographer, and also as a person.  But you don’t put things out into a vacuum, so thanks for taking the journey with me.

I’ve opened up comments for the moment on this post, if you have anything you want to say, or any suggestions for what you want to see next.

On to the next party.

 

Filed Under: 365 - 2016 Tagged With: 365, Loneliest Road, McCornick, US-50, Utah

12-30-16

December 30, 2016 by James

Day 365 / 730 –  But wait, there’s still one more.

I started 365 to do one thing, to learn more about photography.  I didn’t know about composition, camera settings, or even what I really wanted to shoot.  365 projects are great for that.  Shoot every day for a year and you are bound to learn something.  Post those photos every day, and you will see patterns emerge, things you go back to, and a voice emerging.

The second year of 365 was different.  It was all about posting photos, not taking photos, and that changed things, in some ways for the better, in some ways for the worse.  Near the end of the first year, I was spending entirely too much time shooting.  I could spend three hours walking around shooting, go home and edit for an hour or two, and in the end I would have posted one or two images.  Everything else was archive, not likely to see the light of day.

The problem was that I wound up shooting things just for posting, not for quality posting.  There was stuff I really liked, things I was proud of, but I posted a lot of photos that I wasn’t proud of.  That can happen when you have a deadline to meet, and every day is a deadline on a 365 project.

I had to start mining my archives for things to post, which was alright at first.  Then I broke my ankle and needed surgery.  You probably know this, and maybe you are tired of hearing about it.  But it kept me from going out and shooting for a while.  I couldn’t drive until the end of the year, resulting in less field work, less shots of barns and prairies, a lot less of what I liked to shoot.

But I also got to go to some of our national parks, and shoot some nature.  It was something I hadn’t photographically explored, and I liked it.  The shot above is from a trip to Yosemite.  I was going to write something about the best way to be Ansel Adams is to not be Ansel Adams (to find your own voice), but that will have to wait.  It was one of the better things to come out of 365 year two.

365 started as one thing and changed into another.  It wasn’t always something I was 100% proud of, but I did it.  In two years, I didn’t miss a day, even the day I broke my ankle, or the day it was operated on.  After two years of posting every day, it’s going to be weird to not.  But I also think it’s necessary to move to the next phase of this whole photographic journey.

So what’s next?  I’ll touch on that tomorrow.  See you then.

Filed Under: 365 - 2016 Tagged With: 365, CA, NPS, NPS100, Yosemite Falls, Yosemite National Park

12-29-16

December 29, 2016 by James

Day 364 / 729 –  Why do I shoot what I shoot?  I honestly don’t know.

When I try to think about it, I don’t come up with a good answer.  There isn’t one overarching thing.

It’s a little bit of a chicken and the egg problem.  Which came first, what you want to shoot, or why you shoot it?  For me, the shooting came before figuring out what I really wanted to shoot.

I think it’s a little less common to pick something to shoot, and then go do exactly that.  The artist’s statement doesn’t write itself before the art happens.  Brandon Stanton of Humans of New York started out wanting to shoot people in New York, but even that morphed into something different when he started really talking to his subjects.

I’ve always been drawn to black and white photos.  My first camera of my own was some 35mm film camera in the early 90s that I barely knew how to use.  I knew how to focus, load the film, click the shutter, and that was about it.  I didn’t understand what the settings did, other than maybe make things brighter or darker.  I don’t even know what brand it was.  I simply had fun with it.  I’ve had digital cameras since the late 90s, none of them “serious” cameras.  Until this project, I never took any of it “seriously.”

It took half of the first year of 365 until I started to find my “voice,” and even then, I’m still not 100% sure what that means.  As soon as I figure one thing out, another comes along to stake it’s claim.  I was enjoying shooting in the fields, then we went to Yosemite and that turned into a “thing.”  It’s a great problem to have.

But there are a few things that stick with me when I shoot, that tell me what is a James shot and what isn’t:

  • Feeling – If I don’t feel anything, then it won’t matter if I take the shot or not. Without feeling, there is no reason to do it.  This is top of the list, no matter what.
  • Heart – I prefer to take photos of things that were loved, or are loved.  A falling down barn was once someone’s job, or their day, or something that helped them.  At some point, they cared about it.  Nature is the same way.  We feel something akin to love in nature, when we are really in it.  I’ve taken and posted plenty of photos with no heart behind them.  They aren’t my favorites.
  • Wonder – A cousin to heart.  Yosemite Falls are a great example of that.  You feel small in comparison.
  • Fun – Yes, there is room for fun in art, and certainly in photography.

This is by no means an exhaustive list.  It’s only one side of something even I don’t completely understand.  But the most important parts of my photography have little if nothing to do with the camera, the lenses, or the software (although a little bit to do with the software) than it does the purpose and feeling behind the photo.  I think that’s the big secret to art, and what can make it so difficult to do.  When you put the pressure on to make and produce, you push to the side the things things that make your art.  The feeling involved.  The reason you are making it.  You can produce daily, and make good work daily.  Do it often enough (such as 365 days in a year) and it will come easier.  The reasons you shoot show up when you show up.

Finding that out, that’s the trick.

Map

Filed Under: 365 - 2016 Tagged With: 365, Box Elder County, P, UT

12-28-16

December 28, 2016 by James

Day 363 / 728 –  This is what I would say is closer to my “style” than I’ve been able to create in the last several months.  At least, in my “fields” work.  I’m on the road, driving from San Francisco to Denver, and I have the luxury of time right now.  I get to pull over wherever I want, whenever I want, and shoot whatever I want.  I don’t have to be anywhere for a while.  I can get out in the side roads a bit.  I can do it on a whim, make that snap decision to go down a different road.  I haven’t had that in a while.  The main difference is, I’m doing the driving.

Not that I couldn’t ask Meg to pull over, and it’s not like she didn’t offer.  But there is something about being alone that gives you a little more time to think, a little more space to feel, a bit more room to work.  Someone telling you to take all the time you need isn’t the same as simply taking the time on your own.  The space changes.  Your attention is shared.  There is a bit of pressure to make this shot work.  It’s been great having someone along for the ride, and there is no one I would rather be with for a long drive (or a short one) than Meg, but sometimes, you have to make some space.  For me, and hopefully for lots of photographers, feeling something about what you are shooting is paramount.  Good shots don’t happen without it.

I probably sound like some tortured artist, who can’t work without solitude and loneliness.  Not at all.  It’s just that sometimes, you have to be out in the world, bored out of your mind, with nothing but the sound of the road, to really notice the things around you.  It’s just different.

Mind you, without Meg, the shots of Yosemite wouldn’t have happened.  Without her, the shot with both the upper and lower falls wouldn’t exist, which is one I really like.  My nature stuff wouldn’t exist.  And really, without her, none of this would have happened.  None of these shots would exist.  This project wouldn’t have happened, and I certainly wouldn’t have gone to all these places.  She was behind me the whole way, and always has been.  I don’t know a lot, but I do know this: find someone who is on your side and stick with them.

So as I wrap this up, this project is for her.  It started out for me, but in the end, it’s for her.  People say it all the time, but I truly mean it: I couldn’t have done it without her.

Map

Filed Under: 365 - 2016 Tagged With: 365, NV, Winnemucca

12-27-16

December 27, 2016 by James

Day 362 / 727 – Oh man, only a few days left of 365.  And I haven’t really written anything about the end of the project.

And it’s going to have to wait another day, as I need to hit the road.  But it is coming.  Since this was a leap year, it is actually a 366 project and I get one more day to write.

See you tomorrow.

Filed Under: 365 - 2016 Tagged With: 365, CA, San Francisco

12-26-16

December 26, 2016 by James

Day 361 / 726 – Is there an original shot of the Golden Gate Bridge left to take?  Have all the angles been covered?  Does it even matter?  The important part of shooting something that has been photographed over and over is to stay true to your own vision, to do it in the way you shoot, not just hitting the notes and making the shot that others would like, or would want to see.

Did I do that here?  Hard to say, but it’s much closer to what I do than what I see elsewhere.

I want to write a little about my 365 experience in the waining few days, but there isn’t time for it at the moment, so it will have to be soon.  The end is only a few days away.

Filed Under: 365 - 2016 Tagged With: 365, CA, Golden Gate Bridge, San Francisco

12-25-16

December 25, 2016 by James

Day 360 / 725 – Merry Christmas from San Francisco

Filed Under: 365 - 2016 Tagged With: 365, Battery Alexander, CA, San Francisco, WW2

12-24-16

December 24, 2016 by James

Day 359 / 724 – Merry Christmas Eve from snow-covered California. Ha!

I used a different in-camera app to help balance the bright sky with the darkness of the land.  First attempt at it.  It turned out alright.

Filed Under: 365 - 2016 Tagged With: 365, CA, San Francisco, sunset

12-23-16

December 23, 2016 by James

Day 358 / 723 – More from Yosemite.

Filed Under: 365 - 2016 Tagged With: 365, CA, NPS, NPS100, Yosemite National Park

12-22-16

December 22, 2016 by James

Day 357 / 722 – San Francisco’s Chinatown

Filed Under: 365 - 2016 Tagged With: 365, CA, Chinatown, San Francisco

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